Showing posts with label anne tyler. Show all posts
Showing posts with label anne tyler. Show all posts

Tuesday, 30 January 2018

Top Ten Tuesday | Books I Can't Believe I Read


Top Ten Tuesday is a weekly feature hosted at That Artsy Reader Girl. Each week you compile a list of ten books which coincide with that week's theme. You can find everything you need to know about joining in here!


This week's theme is 'Books I Can’t Believe I Read'.


Most of these are books I had to read for school or university, but they're all books I'm proud I managed to force my way through considering how much I disliked them or had trouble getting through them. I'm now much better at DNFing books I'm not enjoying, particularly as I no longer have to read anything for a piece of coursework.

If you don't like reading negative things about books (which is perfectly understandable - it can be a bit of a bummer!) then I recommend you don't read any more of this post...


Death of a Salesman by Arthur Miller: I'm so sorry to American Literature, but other than Of Mice and Men I did not have a good experience with it in school. This story seemed so unnecessarily depressing and I got so bored of talking about the American Dream in my English Lit classes.

The Withered Root by Rhys Davies: I ended up reading this one while helping to format the eBook at my publishing internship. All I can remember is how much I hated it.

The Great Gatsby by F. Scott Fitzgerald: I loathe this book. I know it's a favourite of so many people's and I totally respect that, it's just not for me.

Peter Pan by J. M. Barrie: I did a really interesting module on Victorian Popular Fiction at university where we studied detective fiction, adventure fiction and children's fiction. It was a brilliant module but it made me realise just how twisted the original Peter Pan story is, and something about it made me too uncomfortable to enjoy it.

Wise Children by Angela Carter: This one just felt weird for the sake of being weird and I didn't like it at all when I had to read it in school. I wish The Bloody Chamber and Other Stories had been my introduction to Carter and not this strange novel.


The Boy With the Cuckoo-Clock Heart by Mathius Malzieu: If I had to pick the absolute worst book I'd ever read this one might be it. I forced my way through it because it's so short, more of a novella than a novel really, but it's just awful.

Vinegar Girl by Anne Tyler: I forced my way through this retelling of The Taming of the Shrew hoping it would get better. It didn't.

Harry Potter and the Cursed Child by John Tiffany and Jack Thorne: I'm very lucky to have been to see the play in London, which I really enjoyed, but the script and story itself I didn't like at all. This story does such a disservice to some of my favourite characters and for me Scorpius was the only saving grace.

The Gift by Alison Croggon: I didn't dislike this one, I just remember it took me a long time to get through it and that it wasn't particularly memorable so I'm surprised I managed to force my way to the end of it.

Requiem by Lauren Oliver: I loved Delirium, and I think even with that ending it would have been a fantastic standalone, then Pandemonium came along and made Delirium just like every other YA dystopian triloy, then Requiem came along and kicked us all in the teeth. I like to pretend Pandemonium and Requiem never happened.

Which books made your list this week?

Tuesday, 5 September 2017

Top Ten Tuesday | Books I Struggled to Finish


Top Ten Tuesday is a weekly feature created at The Broke and the Bookish. Each week you compile a list of ten books which coincide with that week's theme. You can find everything you need to know about joining in here!


This week's theme is 'Ten Books I Struggled to Get Into But Ended Up Loving or Ten Books That Were A Chore To Get Through or Ten Books I've Most Recently Put Down', so I decided to talk about some of the books I struggled to get through. Some of them I ended up enjoying, some of them I really didn't, and the first five are all books I had to read for school/university.



Hamlet by William Shakespeare: I had to read this at school and at university and I can't stand it. I know Hamlet's a masterpiece, I know it's many people's favourite Shakespeare play, but I loathe it; Hamlet's so whiny and useless and I can't believe I kept having to study it over and over again.

Regeneration by Pat Barker: I didn't completely hate this novel, set during the First World War, but I was 17 when I read it and I definitely found it pretty dull. Having said that, I do remember quite a lot about it so maybe it had more of an impact on me than I realise.

The Moonstone by Wilkie Collins: I made myself read this over the summer before my third year of university, knowing I would be studying it for my module in Victorian Popular Fiction, and I'm really glad I forced myself through it; not only was I well prepared to talk about it for my classes, but it also ended up becoming one of my favourite classics.

The Great Gatsby by F. Scott Fitzgerald: I know this book is beloved by a lot of people, and I completely understand why, but I had to read it during sixth form and I hated it. All of the characters are pretty awful and I just didn't like it.

Persuasion by Jane Austen: This is one of the classics I had to read for school that I'd like to revisit, because it's thanks to this book that, at 18, I convinced myself I hated everything Austen. The older I get the more I understand Austen and I'd like to try reading this again because, as beloved as Pride and Prejudice is, a lot of people consider this novel to be her true masterpiece.



Vinegar Girl by Anne Tyler: This is a retelling of The Taming of the Shrew in the Hogarth Shakespeare series and I was really excited for it. I ended up hating it, but I forced my way through it because it's fairly short. Check out my review here.

Requiem by Lauren Oliver: I really, really liked Delirium, the first book in this series, but both Pandemonium and Requiem were such disappointments for me and Requiem in particular I really had to force myself through, only to be given the most disappointing ending I've ever come across in a series. I could see what Oliver was trying to do, but I think she should have wrapped the story up just a little more.

The Night Circus by Erin Morgenstern: Undoubtedly this is a beautiful book, but I didn't love this one as much as I thought I would because it took me so long to get through it. Morgenstern's writing and her descriptions were beautiful, but I found Celia and Marco's relationship a bit too dull to really be invested in and, looking back, I don't think I ever really cared how the book was going to end.

Uprooted by Naomi Novik: I had a similar problem with this novel, I loved the ideas behind it but something about Novik's writing meant I didn't completely get on with it and it ended up taking me a while to finish it. I enjoyed it, but when I put it down I didn't feel compelled to pick it back up. Check out my review here.

Diving Belles by Lucy Wood: Unfortunately this one is probably my most disappointing read of this year because I so wanted to love it, but I realised fairly early on it wasn't what I was hoping it would be and that meant that, like Uprooted, I just didn't feel compelled to pick it up and read it and I ended up having to force my way through the end just to cross it off my TBR. Check out my review here if you want to know more about why I wasn't a big fan!

Which books made your list this week?

Monday, 4 July 2016

Review | Vinegar Girl by Anne Tyler


by Anne Tyler

My Rating: 


Kate Battista is feeling stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister Bunny? Plus, she’s always in trouble at work – her pre-school charges adore her, but the adults don’t always appreciate her unusual opinions and forthright manner. 

Dr Battista has other problems. After years out in the academic wilderness, he is on the verge of a breakthrough. His research could help millions. There’s only one problem: his brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr… 

When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him. Kate is furious: this time he’s really asking too much. But will she be able to resist the two men’s touchingly ludicrous campaign to win her round?

Anne Tyler’s retelling of The Taming of the Shrew asks whether a thoroughly modern, independent woman like Kate would ever sacrifice herself for a man. The answer is as individual, off-beat and funny as Kate herself.

I received an eARC of Vinegar Girl from NetGalley in exchange for an honest review.

As the world celebrates 400 years of Shakespeare, it only seemed right that I check out at least one of the books in the Hogarth Shakespeare series this year, and of the ones published so far it was Vinegar Girl that most captured my attention. I was expecting a tongue-in-cheek, clever little rom-com, but what I got was a trainwreck.

One of the reasons Shakespeare is so popular and his work has lasted so long is because it's so universal. His stories include themes and tropes that continue to appear in our stories, and as such his work is constantly being retold and reinterpreted in different cultures, countries and times. Of all his plays, I'd say The Taming of the Shrew is one of the more difficult stories to adapt, particularly into a modern day setting. The idea of 'taming' a woman - of selling her off to the best person you can find in the hopes of finally selling off her prettier, more amenable sister - isn't quite the kind of story modern audiences, particularly modern female audiences, are interested in reading.

So when Anne Tyler took on this challenge for Hogarth Shakespeare she certainly had her work cut out for her, and I wasn't sure how anyone could make this story work, but the idea sounded great. A scientist wants his headstrong daughter to marry his assistant before his visa expires so he can stay in the country and help her father with his research. Brilliant! That's such an imaginative twist on an outdated story.

Unfortunately, the idea turned out to be far better than the execution of it.

Firstly, Tyler's Kate just isn't Kate to me. At first she had promise. I was surprised to discover that the Kate in Tyler's retelling would be a teaching assistant but somehow it worked; she's stuck looking after other people's kids and while she might not be the best at the job the kids like her, and it's easy to see why. Tyler's Kate is a bit lost. She's a college dropout who has no idea what she wants to do and that indecisiveness has left her keeping house and home for her younger sister and her frustrating father. This would have worked so much better if Kate had a bit of gumption. Instead she lets her father walk all over her, and while she's rightly angry and upset when he broaches the subject of her marrying his assistant so he can stay in the country, the Kate I know would have had a lot more to say before she ran up to her room and wept.

Not only that, but she actually agrees to the marriage about 40% of the way through the book. Gee, that shrew sure wasn't hard to tame. I suppose that's not really fair, as Kate mainly agrees to it because, once again, her horrible, useless, selfish father guilts her into it. Her 'love interest' Pyotr isn't much better. When I first read the synopsis of Vinegar Girl I assumed that her father's assistant would also be unaware of his boss's plan, but he was all for it! It didn't seem to bother him at all that this woman was sacrificing an awful lot to help him out, not that Kate's particularly endearing either; she seemed to have a few thoughts regarding foreigners and immigrants that just made me feel a bit uncomfortable given our current political climate.

Kate doesn't have to be nice - one of the joys of her as a character is that she's past the point of niceness, she just wants to be left alone - but you have to be careful with what she isn't nice about. Kate does an awful lot of cooking in this book and appears to even be quite good at it, so why couldn't she burn the food? In fact if she's a good cook all the better, because then we know she's burned the food out of spite rather than incompetence. When the few times Kate is genuinely unpleasant have to do with immigrants it doesn't make her a sympathetic character, and considering her father is trying to get her to marry some guy she doesn't know because it'll help him out she should be a sympathetic character.

The only member of the family who seems to have any sense is Kate's younger sister, Bunny, which is ironic really considering how often Kate and her father think of her as a nitwit. In fact Bunny felt more like the original Kate than Kate did.

Once Kate's engaged she starts to think of this sham marriage as a chance for her to start afresh. Maybe she can go back to college and become a botanist - oh yeah Kate wants to be a botanist; it's mentioned, like, twice so clearly it's such a huge part of her life #not - but she only considers that after Pyotr suggests it. I know Kate's indecisive, but is she so indecisive that she needs this man she barely knows who she's being forced to marry to consider that possibility for her? That's not Kate! At one point Pyotr even says he's going to call her Katja - instead of, oh I don't know, her actual name - and Kate's response is to shrug it off and let him. That's. Not. KATE!

In fact their whole 'relationship' makes no sense. Kate has her own job, she has her own income, and she never goes anywhere - the poor woman has no friends - so she must have some money saved. Why doesn't she just leave her horrible father's house? She could take Bunny with her, report her father to the police and go back to college part time. Clearly Vinegar Girl wouldn't be a retelling if that happened, but you can't ignore massive plot holes for the sake of a retelling - you just have to write a better retelling. Besides given what Tyler's done to Kate she doesn't seem to be that bothered about writing a true retelling anyway, because the Kate I know would never let things get like this.

Then, right at the end of the book, Kate makes a sudden speech about how modern life is hard for men because they're not allowed to be emotional. If you think this review just took a sudden turn, then you'll feel an inkling of the confusion I felt when this sudden 'theme' appeared out of nowhere. Now as far as I'm concerned feminism is just another word for equality, and feminism works in favour of men just as much as women; men shouldn't have to feel like they need to be macho all the time, they shouldn't be ashamed to cry, but there was no place for that argument here. It was tacked on the end so badly that for a moment I thought I was reading the end of another book.

I don't know how, but somehow Tyler managed to write a 21st century version of The Taming of the Shrew that's somehow less feminist than the original 16th century version. There was promise with this idea, but the execution was poor and the whole story's just a mess. If you want a good retelling of The Taming of the Shrew, just watch 10 Things I Hate About You instead.

Wednesday, 29 June 2016

This Week in Books | 29/06/16


This week I'm joining in with Lipsy @ Lipsyy Lost & Found to talk about the books I've been reading recently!


Now: I'm slowly getting back into the reading zone. I managed to read three books last week, which is the most I've read in a week in a long while, and it feels wonderful to be enjoying stories again. I've been trying to get ahead on my eARCs - in fact two of the books I finished last week were NetGalley reads - and now I'd like to challenge myself to finish the books which I've listed as 'Currently Reading' on Goodreads before I pick up anything new. Now considering I'm coming out of the biggest reading slump I've ever had I'm not going to be too strict with myself - if something calls to me, I'm going to read it - but I know I'd really feel like I've accomplished something if I get those books under my belt. One of those books just happens to be Longbow Girl, and I think it's going to be a lot of fun. I'm trying to read more books which feature time travel, and considering I currently live in Wales I haven't read much set in Wales.

Then: Over the weekend I crossed two eARCs off my TBR: Silvia Moreno-Garcia's Certain Dark Things, which I loved, and Anne Tyler's Vinegar Girl, which I didn't. Right now my blog pretty much consists solely of book reviews as I'm catching up on my reading and reviewing, so look out for my review of Vinegar Girl next week to find out why I didn't like it!

Next: Continuing with the theme of finishing books I've started, I'd like to cross The Geek Feminist Revolution off my TBR. I've enjoyed the little I've read so far and heard amazing things about the rest of it, so I'm hoping to really love this one - plus I'd like to read more 2016 releases in 2016!

What are you reading this week?

Saturday, 26 March 2016

2016 Releases I've Pre-Ordered: The Updated Version

Earlier this year I wrote a post about some of the 2016 releases I've pre-ordered, and today I'm back with an updated version because some of the books I mentioned last time have since been released and there are some books that have since become available to pre-order!


The Tale of Tales by Giambattista Basile (Penguin Classics, April): Before the Brothers Grimm, before Charles Perrault, before Hans Christian Andersen, there was Giambattista Basile, a seventeenth-century poet from Naples, Italy, whom the Grimms credit with recording the first national collection of fairy tales. The Tale of Tales opens with Princess Zoza, unable to laugh no matter how funny the joke. Her father, the king, attempts to make her smile; instead he leaves her cursed, whereupon the prince she is destined to marry is snatched up by another woman. To expose this impostor and win back her rightful husband, Zoza contrives a storytelling extravaganza: fifty fairy tales to be told by ten sharp-tongued women (including Zoza in disguise) over five days.

Summer Days, Summer Nights ed. by Stephanie Perkins (Pan MacMillan, June): Maybe it's the long, lazy days, or maybe it's the heat making everyone a little bit crazy. Whatever the reason, summer is the perfect time for love to bloom. Summer Days, Summer Nights: Twelve Love Stories, written by twelve bestselling young adult writers and edited by the international bestselling author Stephanie Perkins, will have you dreaming of sunset strolls by the lake. So set out your beach chair and grab your sunglasses. You have twelve reasons this summer to soak up the sun and fall in love.


Unicorn Tracks by Julia Ember (Harmony Ink Press, April): After a savage attack drives her from her home, sixteen-year-old Mnemba finds a place in her cousin Tumelo’s successful safari business, where she quickly excels as a guide. Surrounding herself with nature and the mystical animals inhabiting the savannah not only allows Mnemba’s tracking skills to shine, it helps her to hide from the terrible memories that haunt her. Mnemba is employed to guide Mr. Harving and his daughter, Kara, through the wilderness as they study unicorns. The young women are drawn to each other, despite that fact that Kara is betrothed. During their research, they discover a conspiracy by a group of poachers to capture the Unicorns and exploit their supernatural strength to build a railway. Together, they must find a way to protect the creatures Kara adores while resisting the love they know they can never indulge.

Of Fire and Stars by Audrey Coulthurst (Balzer + Bray, November): Betrothed since childhood to the prince of Mynaria, Princess Dennaleia has always known what her future holds. Her marriage will seal the alliance between Mynaria and her homeland, protecting her people from other hostile lands. But Denna has a secret. She possesses an Affinity for fire—a dangerous gift for the future queen of a kingdom where magic is forbidden. Now, Denna must learn the ways of her new home while trying to hide her growing magic. To make matters worse, she must learn to ride Mynaria’s formidable warhorses before her coronation—and her teacher is the person who intimidates her most, the prickly and unconventional Princess Amaranthine (called Mare), sister of her betrothed. When a shocking assassination leaves the kingdom reeling, Mare and Denna reluctantly join forces to search for the culprit. As the two work together, each discovers there’s more to the other than she thought. Mare is surprised by Denna’s intelligence and bravery, while Denna is drawn to Mare’s independent streak. Soon their friendship is threatening to blossom into something more. But with dangerous conflict brewing that makes the alliance more important than ever, acting on their feelings could be deadly. Forced to choose between their duty and their hearts, Mare and Denna must find a way to save their kingdoms—and each other.


Vinegar Girl by Anne Tyler (Knopf Doubleday, June): Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister Bunny? Plus, she’s always in trouble at work – her pre-school charges adore her, but their parents don’t always appreciate her unusual opinions and forthright manner. Dr. Battista has other problems. After years out in the academic wilderness, he is on the verge of a breakthrough. His research could help millions. There’s only one problem: his brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, all would be lost. When Dr. Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him. Kate is furious: this time he’s really asking too much. But will she be able to resist the two men’s touchingly ludicrous campaign to bring her around?

As I Descended by Robin Talley (HarperTeen, September): Maria Lyon and Lily Boiten are their school’s ultimate power couple—even if no one knows it but them. Only one thing stands between them and their perfect future: campus superstar Delilah Dufrey. Golden child Delilah is a legend at the exclusive Acheron Academy, and the presumptive winner of the distinguished Cawdor Kingsley Prize. She runs the school, and if she chose, she could blow up Maria and Lily’s whole world with a pointed look, or a carefully placed word. But what Delilah doesn’t know is that Lily and Maria are willing to do anything—absolutely anything—to make their dreams come true. And the first step is unseating Delilah for the Kingsley Prize. The full scholarship, awarded to Maria, will lock in her attendance at Stanford―and four more years in a shared dorm room with Lily. Maria and Lily will stop at nothing to ensure their victory—including harnessing the dark power long rumored to be present on the former plantation that houses their school. But when feuds turn to fatalities, and madness begins to blur the distinction between what’s real and what is imagined, the girls must decide where they draw the line.


The Muse by Jessie Burton (Picador, June): England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Art Gallery, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery. Drawn into a complex web of secrets and deceptions, Odelle does not know what to believe or who she can trust, including her mesmerizing colleague, Marjorie Quick. Spain, 1937. Olive Schloss, the daughter of a Viennese Jewish art dealer and English heiress, follows her parents to Arazuelo, a poor, restless village on the southern coast. She grows close to Teresa, a young housekeeper, and her half-brother Isaac Robles, an idealistic and ambitious painter newly returned from the Barcelona salons. A dilettante buoyed by the revolutionary fervor that will soon erupt into civil war, Isaac dreams of being a painter as famous as his countryman, Picasso. Raised in poverty, these illegitimate children of the local landowner revel in exploiting this wealthy Anglo-Austrian family. Insinuating themselves into the Schloss’s lives, Teresa and Isaac help Olive conceal her artistic talents with devastating consequences that will echo into the decades to come.

Certain Dark Things by Silvia Moreno-Garcia (Thomas Dunne Books, October): Welcome to Mexico City, an oasis in a sea of vampires. Here in the city, heavily policed to keep the creatures of the night at bay, Domingo is another trash-picking street kid, just hoping to make enough to survive. Then he meets Atl, the descendant of Aztec blood drinkers. Domingo is smitten. He clings to her like a barnacle until Atl relents and decides to let him stick around. But Atl's problems, Nick and Rodrigo, have come to find her. When they start to raise the body count in the city, it attracts the attention of police officers, local crime bosses, and the vampire community. Atl has to get out before Mexico City is upended, and her with it.


The Geek Feminist Revolution by Kameron Hurley (Tor, May): A powerful collection of essays on feminism, geek culture, and a writer’s journey, from one of the most important new voices in genre. The Geek Feminist Revolution is a collection of essays by double Hugo Award-winning essayist and science fiction and fantasy novelist Kameron Hurley. The book collects dozens of Hurley’s essays on feminism, geek culture, and her experiences and insights as a genre writer, including “We Have Always Fought,” which won the 2014 Hugo for Best Related Work. The Geek Feminist Revolution will also feature several entirely new essays written specifically for this volume. Unapologetically outspoken, Hurley has contributed essays to The Atlantic, Locus, Tor.com, and elsewhere on the rise of women in genre, her passion for SF/F, and the diversification of publishing.

The View From the Cheap Seats by Neil Gaiman (Headline, May): An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.  Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.


Every Heart a Doorway by Seanan McGuire (Tor, April): Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world. But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter. No matter the cost.

A Closed and Common Orbit by Becky Chambers (Hodder & Stoughton, October): Lovelace was once merely a ship's artificial intelligence. When she wakes up in an new body, following a total system shut-down and reboot, she has no memory of what came before. As Lovelace learns to negotiate the universe and discover who she is, she makes friends with Pepper, an excitable engineer, who's determined to help her learn and grow. Together, Pepper and Lovey will discover that no matter how vast space is, two people can fill it together.


Paper Girls, Vol.1 by Brian K. Vaughan, Cliff Chiang and Matthew Wilson (Image Comics, March): In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smash-hit series about nostalgia, first jobs, and the last days of childhood.

Rat Queens, Vol.3: Demons by Kurtis J. Wiebe, Tess Fowler and Tamra Bonvillain (Image Comics, April): Having survived the end of the world, the Queens follow Hannah back to where it all began: Mage University. A long perilous journey awaits the Rat Queens as they attempt to find out what happened to Hannah's father while battling their own demons.

American Vampire, Vol.8 by Scott Snyder and Rafael Albuquerque (DC Comics, July): Vampires in space? It's 1965. Pearl and Skinner escaped The Gray Trader with more questions than answers, and their search for clues leads them to ... NASA! You've never seen vampires like this before, as the second major story arc of American Vampire: Second Cycle begins!

Have you pre-ordered any books this year? Which books are you most looking forward to in 2016?

Friday, 12 February 2016

2016 Releases I've Pre-Ordered

So I went on a bit of a pre-ordering spree in the last couple of months of 2015 and January. I want to try and buy less books this year (hahaha) but now that I'm working I don't see why I shouldn't pre-order the books I really want to get my hands on! I know amazon is kind of evil in the bookworm, if I could afford to I wish I could buy all of my books from bookshops, but I do really like to pre-order stuff from amazon. Why? Because they don't charge you until they dispatch your order, so rather than spend a ridiculous amount all at once, my book buying is just as staggered throughout the year as it usually would be.

Anyway, here are the ten books I've pre-ordered this year. I also pre-ordered Stars Above, which has already arrived, and there are a few others I want to pre-order but haven't been able to yet, so these aren't the only books I'll be pre-ordering. It's most of them, though!




So Silvia Moreno-Garcia and Seanan McGuire (also known as Mira Grant) are releasing new books this year, and considering Signal to Noise and Feed are two of my favourite novels of all time, it's to be expected that I've already pre-ordered these two. Certain Dark Things is about vampires and drug lords in Mexico City, and it just sounds brilliant, while Every Heart a Doorway sounds like a darker and better version of Narnia.




I want to continue to read more non-fiction this year, and these two sound great. Firstly, the cover of The Geek Feminist Revolution is fantastic, and it sounds like a book that's going to be right up my alley; this is probably my most anticipated non-fiction book of this year! The View from the Cheap Seats is a collection of Neil Gaiman's essays, and considering Neil Gaiman is one of my favourite writers I'm looking forward to reading some of his non-fiction - other than Make Good Art, I haven't read any.




Unicorn Tracks is Julia Ember's debut novel that involves LGBT+ characters and unicorns. Naturally I've been ancticipating it for a while, and I can't wait to get my hands on my copy of it! Paper Girls is the first volume of a new series written by Brian K. Vaughan, the writer behind Saga, and illustrators Cliff Chiang and Matthew Wilson. It's been described as Stand By Me meets The War of the Worlds, so I'm there!




An anthology of female-led historical fiction is what awaits me in A Tyranny of Petticoats, featuring authors such as Marissa Meyer, Robin Talley and Elizabeth Wein. Needless to say, I'm excited. The last anthology I read was My True Love Gave to Me, and because I enjoyed it so much I decided I might as well go ahead and pre-order Summer Days & Summer Nights - I'm hoping there'll be a UK edition that matches my edition of My True Love Gave to Me.




Robin Talley's As I Descended and Anne Tyler's Vinegar Girl are both Shakespeare retellings, and as 2016 commemorates 400 years since Shakespeare's death I imagine we're going to see a lot of those. I really, really enjoyed Talley's debut Lies We Tell Ourselves, so I'm really looking forward to her modern day lesbian retelling of Macbeth, and while I haven't read any Anne Tyler before I think her retelling of The Taming of the Shrew sounds wonderful.

Have you pre-ordered any 2016 releases?

Tuesday, 29 December 2015

Top Ten Tuesday | Anticipated Releases for the First Half of 2016


Top Ten Tuesday is a weekly feature created at The Broke and the Bookish. Each week you compile a list of ten books which coincide with that week's theme. You can find everything you need to know about joining in here!


This week's theme is 'Top Ten Most Anticipated Releases For The First Half of 2016', so I'm going to talk about the books that will be released in January, February, March, April, May and June of next year that I'm most looking forward to!


Stars Above by Marissa Meyer: Marissa Meyer is releasing a book of all her short stories set in The Lunar Chronicles universe and I can't wait to get my hands on a copy. I read all of them online but I'd really like to own a hard copy of them all, plus I want to sit it on my shelf with the rest of the books in this series.

A Tyranny of Petticoats ed. by Jessica Spotswood: An anthology of female-led historical fiction including authors like Marissa Meyer, Robin Talley and Elizabeth Wein? GIVE IT TO ME NOW. *grabby hands*

Unicorn Tracks by Julia Ember: It has unicorn in the title. Obviously I want it. Plus it just sounds really cool!

The Amber Shadows by Lucy Ribchester: I'm all for books set at Bletchley Park, especially if they're books which just so happen to have a female lead.

My Lady Jane by Cynthia Hand, Brodi Ashton and Jodi Meadows: I'll be honest, I'm a little unsure about this one. I love the cover - it reminds me of Sofia Coppola's Marie Antoinette - but I think this is either going to be really cool, or appalling. I love my Tudor history and I've always had a fondness for Lady Jane Grey, so the fact that these three authors (and the fact that there are three writers here always has me a little unsure, as I don't know how fluid it's going to be) have turned her story into a funny one intrigues me. I'm interested to see what this book's like!



The Little Shop of Happy Ever After by Jenny Colgan: I'm weak for Jenny Colgan's adult contemporary novels, they're my guilty pleasure, and in this book her heroine opens her very own bookshop. Yes.

All the Birds in the Sky by Charlie Jane Anders: This book sounds so cool. I love stories that explore the relationship between magic and science, so I'll definitely be getting my hands on a copy of this one!

Vinegar Girl by Anne Tyler: This is one of the books in the new Hogarth Shakespeare series, a series in which a bunch of really well-known authors are retelling Shakespeare's plays. Vinegar Girl is a retelling of The Taming of the Shrew and it sounds really fun; I'm also looking forward to Margaret Atwood's retelling of The Tempest and Gillian Flynn's retelling of Hamlet.

Love, Lies and Spies by Cindy Anstey: This book sounds like everything I love to read - it sounds so fun! - and I really like the cover, too, so I'm looking forward to getting my hands on a copy.

Blackhearts by Nicole Castroman: Yay pirates!

Which books made your list this week?