Top Ten Tuesday | Books I Can't Believe I Read

Top Ten Tuesday is a weekly feature hosted at That Artsy Reader Girl. Each week you compile a list of ten books which coincide with that week's theme. You can find everything you need to know about joining in here!

This week's theme is 'Books I Can’t Believe I Read'.

Most of these are books I had to read for school or university, but they're all books I'm proud I managed to force my way through considering how much I disliked them or had trouble getting through them. I'm now much better at DNFing books I'm not enjoying, particularly as I no longer have to read anything for a piece of coursework.

If you don't like reading negative things about books (which is perfectly understandable - it can be a bit of a bummer!) then I recommend you don't read any more of this post...

Death of a Salesman by Arthur Miller: I'm so sorry to American Literature, but other than Of Mice and Men I did not have a good experience with it in school. This story seemed so unnecessarily depressing and I got so bored of talking about the American Dream in my English Lit classes.

The Withered Root by Rhys Davies: I ended up reading this one while helping to format the eBook at my publishing internship. All I can remember is how much I hated it.

The Great Gatsby by F. Scott Fitzgerald: I loathe this book. I know it's a favourite of so many people's and I totally respect that, it's just not for me.

Peter Pan by J. M. Barrie: I did a really interesting module on Victorian Popular Fiction at university where we studied detective fiction, adventure fiction and children's fiction. It was a brilliant module but it made me realise just how twisted the original Peter Pan story is, and something about it made me too uncomfortable to enjoy it.

Wise Children by Angela Carter: This one just felt weird for the sake of being weird and I didn't like it at all when I had to read it in school. I wish The Bloody Chamber and Other Stories had been my introduction to Carter and not this strange novel.

The Boy With the Cuckoo-Clock Heart by Mathius Malzieu: If I had to pick the absolute worst book I'd ever read this one might be it. I forced my way through it because it's so short, more of a novella than a novel really, but it's just awful.

Vinegar Girl by Anne Tyler: I forced my way through this retelling of The Taming of the Shrew hoping it would get better. It didn't.

Harry Potter and the Cursed Child by John Tiffany and Jack Thorne: I'm very lucky to have been to see the play in London, which I really enjoyed, but the script and story itself I didn't like at all. This story does such a disservice to some of my favourite characters and for me Scorpius was the only saving grace.

The Gift by Alison Croggon: I didn't dislike this one, I just remember it took me a long time to get through it and that it wasn't particularly memorable so I'm surprised I managed to force my way to the end of it.

Requiem by Lauren Oliver: I loved Delirium, and I think even with that ending it would have been a fantastic standalone, then Pandemonium came along and made Delirium just like every other YA dystopian triloy, then Requiem came along and kicked us all in the teeth. I like to pretend Pandemonium and Requiem never happened.

Which books made your list this week?

Classics & Contemporaries | Social Commentary

Back in July I started this new series with Romance and promised that I'd be back in August with the Science Fiction installment. Then I ended up going on a little hiatus while I finished up my MA coursework and there was no C&C post in August! 

I thought of just bumping Science Fiction up into September and doing two C&C posts, but considering Halloween is next month, I thought it would be a lot more fun to write up Science Fiction then, alongside the Gothic post I have planned.

So today we're talking about Social Commentary, and I promise you it's a lot less boring and/or intimidating than it sounds!

Social Commentary does what it says on the tin; these are the kind of books that had something to say about the time they were written in, regarding issues from gender to class to race to poverty - you name it, someone's written about it!

Charles Dickens is probably one of the most well known authors for this kind of literature; so many of his stories explore issues with poverty and class - just think of the way he portrayed the workhouses in Oliver Twist.

In fact we're starting our Social Commentary journey in the 19th century, with a brilliant (and sadly underrated) female author...

Anne Brontë is one third of the fantastic Brontë trio, but no one seems to talk about her as much as her sisters. She is most famous for The Tenant of Wildfell Hall, which is believed to be one of the first Victorian feminist novels, but today I'm going to be talking about her first, semi-autobiographical novel, Agnes Grey.

Agnes Grey tells the story of its titular character, who decides to take life by the horns and become a governess to help her family after her father loses all of his money through no fault of his own. As the younger of two daughters her family are initially uncertain, but Agnes is determined to prove herself and soon finds herself the governess for the children of the wealthy Bloomfields. 

Working for the Bloomfields is nothing short of disastrous; the children are spoilt and cruel, much like their parents who constantly criticise everything Agnes does. Unhappy and lonely, Agnes is relieved when Mr Bloomfield sends her back home, convinced that his children are not learning fast enough, and her mother helps her to find her new position with the Murray family.

Agnes becomes the governess to the Murray's two daughters, Rosalie and Matilda, and though she still often feels the isolation that comes with being a governess, she develops a tentative friendship with the flirtacious Rosalie and befriends the kind curate, Edward Weston.

Throughout Agnes Grey, Anne Brontë reveals how governesses were really treated in the 19th century, and through Agnes's friendship with Rosalie Murray she explores femininity and the way women were treated, even if they happened to be wealthy women. It's an exquisite little novel, and it's one of my favourites, but I think it's something of a marmite read; I loved it, but I've come across many people who found it boring.

So if you're not quite ready for the 19th century, perhaps this piece of historical fiction will be more to your taste...

Eva Ibbotson is a guilty pleasure of mine. She's well known for her children's books, but also for her YA historical romance fiction. A Song For Summer is one such novel, and, like Agnes Grey, it features a feminine heroine, named Ellen, who finds herself working with children when she accepts a job as the housekeeper at a school in Austria.

Ellen becomes intrigued by Marek, the school's mysterious gardener and fencing teacher, but as Hitler's troops advance across Europe their love is endangered by the looming shadow of war.

A Song For Summer is much more romance orientated than Agnes Grey, though Brontë does a wonderful job of portraying the yearning that goes hand in hand with unrequited love, but they both have an innate sweetness which is laced with serious and thought-provoking themes. If you like A Song For Summer, then I definitely believe you would enjoy a classic like Agnes Grey!

Next we have a much more modern classic, written by one of the world's most famous playwrights!

I'm incredibly jealous of anyone who got to study Arthur Miller's The Crucible in school. I had to read Death of a Salesman instead and I loathed it. The Crucible, however, is right up my alley!

The Crucible is Miller's take on the famous Salem Witch Trials of the 17th century. Originally published in the 1950s, it is believed to be an allegory for "McCarthyism", the practice of accusing people of treason or disloyalty without evidence, when the American government began to blacklist suspected communists. 

It's a brilliant commentary on hysteria, manipulation and morality, and you don't have to be a history enthusiast to enjoy it! (Though those of you who do enjoy your history might just appreciate it all the more).

However, while The Crucible is a modern classic, and therefore less intimidating than something as huge as War and Peace, it is a play, and often plays are a lot more fun to watch than they are to read.

But have no fear! I have a very recent novel that might just spark your fancy...

Katherine Howe is no stranger to the Salem Witch Trials; not only is she believed to be descended from two of the accused witches, but her first novel, The Physick Book of Deliverance Dane, is all about witchcraft. Her recent YA novel, Conversion, isn't all that different.

In Danvers, Massachusetts Colleen Rowley, a student at St. Joan's Academy, is trying to get through high school and all the stress that comes with it. She's been reading The Crucible for extra credit, and when the school's queen bee, Clara Rutherford, falls mysteriously ill with seizures and violent coughing fits, an illness which soon spreads to her circle of friends, Colleen's suspicions begin to rise.

After all, Danvers used to be known as Salem Village where, centuries before, another group of girls suffered from the same epidemic...

I think the very fact that Conversion's protagonist is reading The Crucible herself makes it an ideal read for anyone out there who's not quite ready to read Arthur Miller's famous play. Ultimately, Conversion takes the famous story of the Salem Witch Trials, or at least the epidemic that led to them, and places them in the 21st century. So if you enjoy Conversion, I see no reason why you wouldn't enjoy The Crucible!

There's another genre (though I suppose Social Commentary is more of a sub-genre) done and dusted! Check back next month for Science Fiction and Gothic, just in time for Halloween!

J.